For this year’s
e-Torah, I will be looking at each week’s portion through the lens of a
song. The music will serve as a kind of midrash, a commentary on the sacred words.
“[God said to Noah]: Never again shall all flesh be cut off
by the waters of a flood, and never again shall there be a flood to destroy the
earth.” (Genesis 9:11)
God gave Noah the
rainbow sign: No more water but the fire next time.
We tend to tell the Noah story as a children’s fable,
complete with stuffed animals and cute songs
(. . . they came on in two-sies, two-sies, elephants and kangaroo-sies). This has always struck me as odd, for the Flood narrative is the most brutal tale in the entire Hebrew Bible. The plot is pretty simple: God destroys every living thing except for Noah’s family and the creatures they’ve gathered in the ark. Genocide is hardly child’s play.
(. . . they came on in two-sies, two-sies, elephants and kangaroo-sies). This has always struck me as odd, for the Flood narrative is the most brutal tale in the entire Hebrew Bible. The plot is pretty simple: God destroys every living thing except for Noah’s family and the creatures they’ve gathered in the ark. Genocide is hardly child’s play.
Of course the hopeful note in this otherwise brutal story
comes at the end, when God promises never to flood the earth again. We arrive at that passage and breathe a sigh
of relief, thinking, “Well, that was horrible, but thank God, we’re safe.” But are we?
Midrash teaches that as Abraham witnessed the fiery
destruction of Sodom and Gomorrah, he confronted God: “You promised never again
to destroy the world in a deluge. Surely
You did not mean that you might still send a flood fire?” And God was silent. Or, as the old southern spiritual puts it: God gave Noah the rainbow sign: No more
water but the fire next time.
Folklorists suggest that these words originated as coded
communication among African-Americans living in slavery and under Jim
Crow. They allowed the community to
comment clandestinely on the wickedness of their oppressors while, on the
surface, just singing wholesome Bible stories.
Understood in this manner, the spiritual’s premise is clear: there are
still hosts of wicked people in the world to be punished “next time.”
James Baldwin drew on this history for the title of his
landmark 1963 book, The Fire Next Time, a
fierce, prophetic examination of race relations in America. For Baldwin, the song offers both a warning
and a call to hope in the darkest of times.
He describes the full fury of the conflagration of racism, yet still
holds forth hope for reconciliation rather than vengeance and destruction: “The
impossible is the least that one can demand.”
The fire next time—the
words of the spiritual and James Baldwin’s elaboration of them echo, for me,
the portentous language of Unetaneh
Tokef, which we read last month for Rosh Hashanah and Yom Kippur: Who by fire and who by water? We Jews, too, recall the Flood’s devastation,
and the terrifying possibility of a repeat occurrence, by way of conflagration
rather than deluge—not to cow us into submission but, rather, to turn our
hearts and hands to the work of tefillah,
teshuvah, and tzedakah—spiritual renewal, repentance, and liberation.
In a world ablaze with injustice, on an earth where rising
temperatures are melting polar ice caps, spawning massive storms, and
unleashing wildfires across our own region, let us listen and learn from the
Noah story. These times cry out for both
its warning and its hope. With courage
and persistence, we might yet avert the fire next time.
--> Here’s a great 1929 recording of the Carter Family performing God Gave Noah the Rainbow Sign:
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