This week’s portion, Vayishlach,
describes one of the most tragic and troubling stories in the Torah. In Genesis 34, we read:
Dinah—the daughter of
Leah, who she bore to Jacob—went out to see the women of the locality, and
Shechem son of Hamor the Hivite, the local prince saw her; he took her and lay
her down and raped her.
As the sad narrative unfolds, almost everyone acts
badly. Shechem’s father approaches Jacob
and asks that he offer Dinah to her attacker as a wife. Jacob says nothing; instead he lets his
sons—who are far more outraged for the family’s honor than concerned about
their sister—respond for him. The sons
devise a plot, telling Hamor and Shechem that Dinah can marry into their family
on one condition: every male in their clan must be circumcised. Hamor agrees—and on the third day after the
mass circumcision, while all the Hivites are still healing from the procedure,
Jacob’s sons slaughter every male in the city.
Then, and only then, does Jacob speak: “You have made trouble for me by
making me odious to the land’s inhabitants.”
To which the sons respond: “Should he then have been allowed to treat
our sister like a whore?”
If ever there was a Torah tale of toxic masculinity, this is
it. Male violence and spiteful speech
run amuck, while the only woman in the story—Dinah—is not granted a single
word. Later rabbinic commentary
compounds this sin, castigating the victim for her mistreatment, as the Rabbis
infer that that in “going out” on her own, Dinah invites the trouble that
befalls her. Midrash Genesis Rabbah is
typical: “God took care to create a woman from a rib, which is a concealed,
modest place; notwithstanding this, women like to go out to public
places.” Alas, this misogynistic
attitude remains common; all too often, we still blame female victims of male
assault, for their own misfortune, and then silence them.
Thankfully, contemporary women are making important inroads
in breaking the silence. At the Women’s
March in Washington, DC in January 2016, Los Angeles singer-songwriter MILCK
performed a song that would become a kind of unofficial anthem for the #MeToo
movement. That piece—Quiet—speaks of the
critical important of speaking up and being heard. She sings with passion, and ever-increasing
urgency:
Put
on your face
Know
your place
Shut
up and smile
Don’t
spread your legs
I
could do that
But
no one knows me—no one ever will
If
I don’t say something, if I just lie still
Would
I be that monster, scare them all away
If
I let them hear what I have to say
I
can’t keep quiet, no oh oh oh
I
can’t keep quiet, no oh oh oh
A
one woman riot, oh oh oh
I
can’t keep quiet
For
anyone
Anymore
We—Jewish women and men alike—can learn a great deal from
the Dinah story—and empowering anthems like “Quiet.” The time for silence in the face of misogyny
is over—it is incumbent upon us, as both Jacob’s and Dinah’s heirs—to do
better. For all of the problems it
presents with the Dinah narrative (and others), Torah also points the way to a
better, more egalitarian world with its very first ethical teaching: “God
created all of humanity in the divine image, male and female God created them.”
In The Torah: A
Women’s Commentary, Rabbi Laura Geller notes: “Dinah’s silence is loud
enough to reverberate through the generations.
What happens to her in the aftermath of her ordeal? We do not know. We never hear from her, just as we may never
hear from the women and girls in our generation who are victims of violence and
whose voices are not heard. But the
legacy of Jacob as Israel, the one who wrestles, demands that we confront the
shadowy parts of ourselves and our world—and not passively ignore these
facts. The feminist educator Nelle
Morton urged women to ‘hear each other into speech.’ Dinah’s story challenges us to go even
further and be also the voices for all of our sisters.”
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